Serious Art

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Updated: May 25, 2026 at 1:41 PM

Serious Art

This is my attempt to figure out what the hell is Art. The blog focuses not on the artwork itself, but rather on the artist's quote concerning his subjective feelings about his work or phenomenon of art in general. Author's IG: artyomernst

@seriousart is a dedicated channel for attempt and hell with regular updates in Desi

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Serious Art

Mar 5, 2026, 08:02 AM

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​​Enxurrada (Flood) 2014 by Vanderlei Lopes (b. 1973)

Polished bronze
55 x 31 x 12 in; 140 x 78 x 30 cm

"I came to live in the city of São Paulo, the state capital, to broaden my studies and find an experience that was more directly urban. This led me to work as a bus money collector and at that time it held a certain fascination because the experience thrust me totally into the city, the ambience and urban space that was more aligned with my interests. The experience of moving around, the daily perception of changes around the city was foundational. There was a continual panoramic view of Sao Paulo, with its construction and deconstruction, an imposing horizontality pitted against a powerful desire for vertical integration; the thought of space and time in the urban social context."
― V L

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Dec 28, 2024, 10:39 AM

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Jul 22, 2024, 05:10 PM

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How To Open Terabox Link | How To Download Watch Online |

Terabox Link [ Terabox app ] Se Video Download Ya Watch Krna Nahi Aata Toh Iss Video Ko Dekho

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Mar 31, 2024, 12:07 AM

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Blood Orange, 2023 by Adrian Kay Wong (b. 1991)

Oil on canvas
42 × 38 in; 106.7 × 96.5 cm


“The only goal I have in mind every morning is just “Make more paintings.” That said, I treat each new work independently almost like a puzzle or a “figuring out” of visual constraints. The decisions in my image-making are dictated and informed by the particular set of shapes I’m working with. For example, when I draw out the curvature of a flower vase it then determines the curvature of the top of a chair, then the figure’s face, then the way her hair falls, and so on. Ultimately, my work is process driven.”
― A K W

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Serious Art

Jan 8, 2024, 06:04 AM

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Three studies of the male back, 1987 by Francis Bacon (1909 - 1992)

31.9 × 23.3 in; 81 × 59.2 cm

Lithographs on Arches paper

“My painting is not violent; it’s life that is violent. I have endured physical violence, I have even had my teeth broken. Sexuality, human emotion, everyday life, personal humiliation (you only have to watch television)―violence is part of human nature. Even within the most beautiful landscape, in trees, under the leaves the insects are eating each other; violence is part of life.”
― F B

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May 29, 2023, 04:27 PM

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May 29, 2023, 04:25 PM

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May 26, 2022, 02:15 PM

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​​Hondolea (Marine Abyss) 2021 by Cristina Iglesias (b. 1956)

The sculpture is located in the lighthouse building on Santa Clara Island, and takes up the entire space of the building. The sculpture is made up of a large bronze vessel that artristically recreates images of the depths of the bay of San Sebastián and the nearby coast. Inside the basin, the water flows and follows the rhythm of the tides.

"I like to think about life and how plants and other life forms, even insignificant little ones like lichens, fungi and algae, are so very responsive to weather, water and the lack of water, and how they form layers that can connect us to the rest of the universe."
― C I

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Jan 22, 2022, 01:46 PM

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​​Pagoda (Grey Day) 2017 by Anthony Sonnenberg (b. 1986)

19 × 12 × 9 in; 48 × 30 × 23 cm
Cone 10 reduction fired porcelain over stoneware, found ceramic tchotchkes, glaze

I use time‐intensive construction methods to create totems and environments that reference the cyclical nature of growth and decay, and suggest layers of time that move beyond the art historical and into the geological and emotional.
― A S

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Jan 16, 2022, 04:29 PM

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​​Radio, FLUX Series, 2019 by Alia Ali (b. 1985)
48 × 36 in; 122 × 92 cm

Pigment print on photorag 310gr. with UV laminate mounted on aluminum dibond in upholstered frame (wood & wax print)

To me, my practice is about risk and facing fears. I realized that I was the most afraid of how people would react to the work. I wasn’t thinking in the moment or what I was doing, I was thinking about what people would say.
That’s probably the biggest restriction that one can place on themselves, and that fear can be paralyzing. It’s not about producing something for a final result, it’s the space which is carved out during the process that makes room for surprise and discovery.
― A A

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Oct 4, 2020, 08:52 PM

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​​A Habit that Refuses to Die, 2016 by Amanda Greive (b. 1978)

Oil on wood panel
30 × 30 × 1.5 in; 76.2 × 76.2 × 3.8 cm

"Though I come from a family that is very musically and artistically inclined, I originally went to school to become an epidemiologist. After graduating from school, I took a job but still felt unfulfilled. A little over 10 years ago, I decided to take a drawing class at my local community college and instantly felt that making art was what I was meant to do and I've been doing it ever since.

In my art-making process, the portrayal of relationships symbolically through the interplay of objects and the female figure has been a priority. I have found that traditional representation has, thus far, best suited me in my exploration of this topic, and my imagery references both classical and contemporary symbolism and iconography. While my paintings are singular to my own experiences, it is my hope that they also have a universality to them, wherein the viewer is able to relate his or her own relationships to the portrayals, making the act of viewing the painting an experience in its own right."
― A G

Serious Art

Sep 30, 2020, 04:31 PM

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