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Updated: May 19, 2026 at 1:35 PM

here we listen to broadcast

A somewhat chaotic multidisciplinary collection of visual art, photography, design, architecture, poetry, and literature. Tiny, but cosy discussion group [Not to be taken too seriously!]: https://t.me/+I522TcNiXNwwYTM6

Follow @herebroadcast to stay updated with the latest collection and design trends and news

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here we listen to broadcast

Apr 29, 2026, 03:28 PM

Ewa Partum
Tautological Cinema (stills)
1973-1974

https://youtu.be/DaJ6iR58T74?si=oMNrwFKqOKGJ19Wa

1,640

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Apr 29, 2026, 03:28 PM

Half a blanket under, half over; fever; cement; damp; sweaty hair; inscriptions on the walls scratched with fingernails -
names, dates, small covenants; the same nightmare opening holes with the same torch: 'tonight', 'tonight', at dawn, 'tomorrow'.

Who will be left here to remember us when the key is heard in the lock and the long chain is dragged on the endless white where, on one side, the last cigarette we'd thrown down still smokes.

Yannis Ritsos, Piraeus Detainees' Transport Section, from Yannis Ritsos: Selected Poems, ed. Nikos Stangos

798

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Apr 29, 2026, 03:28 PM

📷 Photo

Antonina Nowacka
Sylphine Soporifera
Label: Mondoj
2025

You can listen to the album here: https://antoninanowacka.bandcamp.com/album/sylphine-soporifera

652

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Apr 29, 2026, 03:28 PM

📷 Photo

Agnes Martin
Loving Love
1999

[ https://www.guggenheim.org/articles/checklist/wordless-and-silent-artworks-by-agnes-martin-in-the-guggenheim-collection]

662

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Apr 29, 2026, 03:28 PM

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Bruce Nauman
Think
1993

750

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Apr 29, 2026, 03:28 PM

📷 Photo

Juan Santana
Gego (Gertrud Goldschmidt) installing Reticulárea
Caracas, 1969

https://gagosian.com/quarterly/2023/04/05/essay-gego-an-unruly-artist-in-a-class-of-her-own/

2,710

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Apr 29, 2026, 03:28 PM

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”Reticulárea (literally, “reticule area”) is an idea; it is a metaphor and a microcosm for various natural and social universes; it is, as María Elena Ramos has written, both “geometry” and “the poetic disruption of that geometry”; it is and is not architecture, sculpture, a drawing without paper, a public space woven by Gego and privately, if only momentarily, un-woven and re-woven by the mind of the individual viewer”

Melina Kervandjian, Gego’s Reticulárea: Transcending Space and Time

Ph: Paolo Gasparini
Gego’s Reticulárea
Museo de Bellas Artes, Caracas
1969

https://yalebooks.yale.edu/2014/02/17/gegos-reticularea-transcending-space-and-time/

830

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Apr 29, 2026, 03:28 PM

📷 Photo

Mario Tursi
Pier Paolo Pasolini and Maria Callas on the set of "Medea”
Enrico Appetito Archive
1969

https://www.centrostudipierpaolopasolinicasarsa.it/attivita/mostre/prorogata-fino-al-24-marzo-la-mostra-pier-paolo-pasolini-e-maria-callas-cronaca-di-un-amore/

584

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Apr 29, 2026, 03:28 PM

Not so long ago, I began exploring the work of Armenian filmmaker and theorist Artavazd Peleshian. So far I’ve watched several of his short films: “Վերջը / The End” (1992), “Կյանք / Life” (1993), “Բնիկներ / Inhabitants” (1970), “Մենք / We” (1969).

Each of these short films (essays?) possesses the same primordial, pre-verbal impressionistic quality, one that evokes a kind of raw intimacy, almost painful it its honesty and transparency.

“With a melodic rhythm of camera, editing and bittersweet classical music, Pelechian and Vartanov raise their film to the level of a true symphony – the symphony of our existence.” — IDFA

You can watch the films for free on YouTube:

https://youtu.be/GWNUjhCOILw https://youtu.be/kPl6qQ8SGFk https://youtu.be/H0Z5vWMMRyQ https://youtu.be/itHUgSGYW-o https://youtu.be/8Hx6oJs9DlQ

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Apr 29, 2026, 03:28 PM

To stop the blood of flowers and rotate the order of things.
To die in the river, to die in the river.
To hear the heart of the rat. There’s no difference
Between the moon’s and my tribe’s silver.

To clean the field and run as far as the earth’s edge.
To carry in my breast the word: the crystal. At the door
The soap’s evaporating, the conflagration lit up the day.
To turn around, to turn around once more.

And to strip the frock. The poppy had bitten through the sky.
To walk the desert roads and drink shadows.
To feel the oak tree in the mouth of a spring.

To stop the blood of flowers, to stop the blood of flowers.
The altars look at each other, eye to eye.
To lie down on a blue cabbage.

Tomaž Šalamun, Death’s Window, from Child of Europe: A New Anthology of East European Poetry, ed. Michael March

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